This choreographic work challenges notions of normal and abnormal, and draws inspiration from choreographer Anusha Subramanyam's therapy work with people with physical and mental challenges. The work presents a range of raw and sincere dances and uses the emotive and gestural grammar of bharatanatyam and combines it with movement that is both contemporary and classical.
Unfortunately this combination didn’t bring an interesting effect. The “contemporary” movement in confrontation with “classical” went weak and not complete, handicapped. The traditional forms/ code are so strong and eternal, that send you to another reality, world, perception. Is like to put symbol and everyday life movements together…
- KRYSTIAN GODLEWSKI
- actor, theatrical instructor, director. Graduate: Theatrical Academy in Warsaw, Poland - Direction: Science of theatre (with practice); Public Studies of Culture Animation in Gdansk - Specialisation: Theatrical Education; Fine Arts College (high school/foundation course equivalent). June 2006 - establishing The Bones Theatre with Kamil Adamus in London. 7 years a member of ‘Stajnia Pegaza’ Theatre based in Three-city, Poland – (production of plays based on: G. Grass, F. Kafka, T. Mann, H. Hesse, W. Gombrowicz; theatrical practice; co-operation with different dance and street theatres (Theatre of Dreams, Gdansk Dance Theatre, Dada von Bzdulow, ‘Roots’ Theatre from Canada, Theatre of Expression); stilts; folk and archaic singing - voice and breath techniques; participating in national and international festivals). Also worked with The Alternative Scene ‘Off de Bicz’ in Sopot, Poland; 'Zak' Student Club in Gdansk, Poland; Culture and International Co-operation Centre in Elblag, Poland; Edward Gramont’s 'Terminus A Quo' Theatre, Nowa Sol, Poland;
